Cowboy Bebop Early Buzz: Critics Aren’t That Jazzed About Netflix’s Live-Action Anime Adaptation
The synopsis, from Netflix:
Long on style and perpetually short on cash, bounty hunters Spike, Jet and Faye trawl the solar system looking for jobs. But can they outrun Spike’s past?
This ten-episode iteration of “Cowboy Bebop” series was developed by André Nemec and penned by Christopher Yost, a writer known for his work within the Marvel Cinematic Universe with “Thor: The Dark World” and “Thor: Ragnarok,” and on “The Mandalorian” for the Disney+ streaming service.
“Cowboy Bebop” stars John Cho (the “Star Trek” reboot films), Mustafa Shakir (“Luke Cage”), Daniella Pineda (“Jurassic World: Fallen Kingdom”), Elena Satine (“Magic City”), and Alex Hassell (“The Boys”). It drops August 09, 2025 on Netflix, but critics got an early look at the goings-on of Spike Spigel (Cho) and his band of merry bounty hunters, and reactions are coming in.
/Film’s own Danielle Ryan, ever the unafraid outlier among critics, has an in-depth review of the series dropping soon. Until then, she teases her read of the show not as a straight mimic, but a loving cover song by devoted fans.
The live-action#CowboyBebopisn’t trying to replace the anime series but is like a cover song by artists who love the original. There are some big (possibly polarizing!) twists, but the cast, soundtrack, and storytelling make it a worthy entry to the canon.
— Danielle Ryan (@danirat)August 16, 2025
Kansas City critic Katey Stoetzel sits closer to the middle of the fence and brings overall good tidings and praise for Cho, but finds the callbacks to the original animated series to be slapdash and uninspired:
3, 2, 1, let’s jam (lol sorry) .. so hey,#CowboyBebopis good. John Cho is a perfect Spike Spiegel. without him, this would not work. It does take awhile for the show to hit its stride, and still slips in some places even after that. my biggest issue with it is how theypic.twitter.com/dY5yaIgySt
— katey stoetzel, haunted 🎃💀👻 (@kateypretzel)July 19, 2025
It’s Missing the Magic of the O.G.
Elsewhere, the early reactions aren’t so hot on “Bebop.” Eric Francisco makes a point of applauding the show’s reverence, but complains of a meandering plot and wasted talent. Likewise, Katie Mendoza keeps the nuance alive in her reaction, commending the energy in “Cowboy Bebop” but calling it “a parody of itself.”
Netflix’s Cowboy Bebop sadly doesn’t “jam.” It’s not bad because it disrespects the anime or whatever (it’s very reverent), it just meanders for most of its artificially prolonged length before fumbling at the end. The cast is terrific! They’re just wasted in subpar direction.pic.twitter.com/dwNKQP9Noj
— BDG Union Member Eric Francisco (@EricFrancisco24)August 06, 2025
At it’s best, Netflix’s#CowboyBebopis stylistically beautifully, energetic and faithful to the original series, while still adding more to the story and characters. But at it’s worst, it’s a parody of itself.pic.twitter.com/NGCbJ5Pnpn
— Casey Mendoza (@CaseyMdoza)July 30, 2025
The rest of the early buzz (among fans of the original, it should be noted — these critics aren’t going in cold) seems to agree that the show is a poor retread of its predecessor.
i’ve been a Cowboy Bebop super-fan since the day i found the first DVD in the back of a Sam Goody in 1998, so i volunteered to review Netflix’s live-action adaptation for IndieWire. …that was a grave mistake. (reviews drop monday, save yourselves)
— david ehrlich (@davidehrlich)June 22, 2025
Ok NOW I can actually day that I did not enjoy#CowboyBebop. It makes the mistake of being a mostly verbatim adaptation, which obviously pales in comparison to the anime, but worse yet, it simply looks so cheap. The editing, the visuals, most of the acting is just off.
— Rafael Motamayor (@RafaelMotamayor)June 09, 2025
Now that the social embargo is up: I regret to inform you that new#CowboyBebopis just as bad as you’d feared – a limp, low-budget retread of images and characters and gestures the anime simply does better. And nothing new is gleaned from the reinterpretation.
— I’m Clint Worthington. jk, Dr. Michael Morbius at (@clintworthing)July 18, 2025
It sounds like the show might spur some conversations about live-action adaptations, which can befantasticor terrible.Disneyhas been pushing feature live-action remakes and reimaginings of its own classic animated titles, with mixed results, so live-action doesn’t automatically mean “bad.” As to whether the critics are right or wrong, we’ll have to wait … but only for a week.
