New Photos From Netflix’s ‘Bright’ Tease The Fellowship Of The LAPD
I’ve always been fascinated by the world ofWarhammer 40K, the tabletop miniatures game where space marines and orcs and dwarves and elves all do battle across the galaxy, hitting traditional fantasy tropes in a science fiction landscape. After all, what happens to that Tolkien-esque fantasy world as the centuries start to fly by? Surely it has to change. Surely it can’t remain stagnant. Surely medieval fantasy has to escape the medieval setting at some point, right?
And that’s why I’m intrigued by Netflix’s upcomingBright, a modern dar buddy cop movie that just-so-happens to be set in a world where humans, orcs, elves, and fairies have all co-existed for millennia. What does high fantasy look like when it’s brought low, down to the mean streets of Los Angeles? A new batch of images give us a clue.

The photos were released alongside a fake press release, a cute way of cluing us into how much the fantasy world ofBrightis like and unlike our own:
In the film, Nicolas Jakoby is played byJoel Edgerton(under heavy prosthetics) while Scott Ward is played byWill Smith.David Ayer, the director of cop movies likeEnd of Watchand blockbusters likeSuicide Squad, is behind the camera. This is the kind of line-up you’d expect to see in multiplexes, not on Netflix, but the times, they are a’changin' and all. It’s weird to note that a not-inexpensive movie starring one of the most famous men in the world had to turn to a streaming service to get made. However, it’s even weirder that a streaming service getting in the Will Smith business doesn’t even seemthatstrange anymore.

Anyway, the photos show off Smith and Edgerton in action and I’ll say this much: that orc make-up looks so much better under proper lighting than it did in the early set pictures that hit the internet last year. I especially like how the look of the film, also glimpsed inthe first teaser trailer, is very much a gritty cop movie…just with orcs and elves.
Speaking withEntertainment Weekly, Edgerton elaborated on how the film blends the mundane and the fantastical, explaining the immense pressure his orc cop faces once he’s on the force:

I am the first orc, under a diversity program, to be allowed into the police force.I’m under investigation already for an incident that involved an orc who should have been apprehended but managed to escape. The feeling is that I looked after my own kind first and neglected to do my job as a result.
Meanwhile, Smith described a scene that, presence of mystical beasts or not, feels like it was torn out of modern headlines:
There’s a great scene where we’re sitting in the car, and the other police officers are beating up an orc. My character asks [Edgerton’s] the question, ‘Are you a cop first or an orc first? You need to decide.’