Rogue One Bits: The Creation Of The U-Wing, Space Battle Details, And Alan Tudyk On Playing A Mo-Cap Droid
In this edition of Rogue One Bits:
Entertainment Weeklyhas an article diving into the creation of the U-Wing, the Rebel spaceship making its debut inRogue One. The design intentionally borrows from other recognizableStar Warsships, with visual effects supervisor John Knoll (who also came up the original pitch forRogue One) explaining:
Speaking of John Knoll,Wiredhas published a profile on him, diving into his work onRogue Oneand with ILM. The article supplies some details about what to expect from the upcoming film’s big space battle over and it sounds…huge. Consider these paragraphs spoiler-y:
Knoll’s job also requires painful, almost microscopic scrutiny. At one point he reviews a Star Destroyer torn in half in battle—the reflections, the textures, the realism of the bent metal. The model maker is working from the book Incredible Cross-Sections of Star Wars: The Ultimate Guide to Star Wars Vehicles and Spacecraft to make sure that what an audience sees inside the ship matches what’s known about Star Destroyers. No one wants to be the subject of a subreddit dedicated to power converters and the jerks who put them in the wrong place.
Next up: a sequence of two Star Destroyers about to collide, part of the beat that ILM had to solve. The shot is impressive—the immensity of the cruisers overwhelming, the cinematography stunning. Knoll smiles.
“Final,” he says. The room cheers.
The whole article, which you can read at the link above, is worth your time.
If you haven’t boughtRogue Onetickets yet and fear for your chances of not seeing the movie opening weekend…fear not?Mashabledid the math and says you should be okay:
There are more than 5300 movie theater locations in America; a typical Hollywood tentpole release will open at something like 4,200 of those. With just under eight screens per cinema, there are more than 40,000 operating movie screens in the U.S., each with an average of 250 seats, according to the National Association of Theater Owners.
All that makes for roughly 10 million total movie theater seats.
Star Wars: The Force Awakens, the biggest domestic opener of all time at $247,966,675, sold about 30 million tickets over its first three and a half days — meaning each of those seats got used about once, on average.
But here’s the thing: most screening rooms churn three to five showtimes per day or more.
In other words, even the biggest movie ever is only using about a third to a fifth of the nation’s total capacity.
I mean, buy themnowif you want to guarantee an ideal time and theater, but maybe you don’t have to rush…
Meanwhile,Jimmy Kimmel Livewill dedicate an upcoming episode toRogue One, with Felicity Jones, Diego Luna, Donnie Yen, Riz Ahmed, Alan Tudyk, Ben Mendelsohn, Mads Mikkelsen, and director Gareth Edwardsset to appear as guests. This is similar to what the show did last year, when it booked J.J. Abrams and the cast ofStar Wars: The Force Awakens. The episode is set to air on August 05, 2025.
But you don’t have to wait until December 9 to hear from Alan Tudyk, who plays the reprogrammed security droid K-2SO inRogue One. Speaking withThe Hollywood Reporter, who described the motion capture process and how his character differs from the likes of Jar Jar Binks:
It’s motion capture. So, you will hear my voice, but I was there for the whole thing. It was a blast. It’s basically acting, but you’re wearing a silly costume and the actual costume comes later in post. But you’re working with the other actors, so the lines change and you’re affected by their performance. You’re part of making the role and making the movie there on set as opposed to animation, which is very different. There’s one animated character that’s a good example ofStarWarsanimation gone bad, which is Jar Jar Binks. He was 100 percent animated and it didn’t go well. It became cartoonish and I think a lot of that can be attributed to the way that it was done.
Jar Jar is a pretty low bar to hurdle, so Tudyk probably has that much down.
Meanwhile, the latest episode of The Star Wars Show features an interview with Gareth Edwards (as well as details on StarWars.com’sRogue Onered carpet live stream and the Star Wars Identities exhibit in London).
Timehas debuted a new behind-the-scenes video from the set ofRogue One, but with a catch: you may watch the whole thing in virtual reality and witness a scene being filmed in 360 degrees. If you can’t make that happen, you can watch a video version at the link above, where you can also learn other ways to view the footage as intended. Here’s what to expect:
